Tuesday, July 27, 2010

MEET: Bodrighy Wood

Bodrighy  is a stunning collection of handcrafted Goblets, Chalices, Platters, Buttons, Boxes and much more, made from wood using a traditional hand-turning method.


Based in Truro, Pete uses mainly locally sourced materials and specialises in 'rustic' work which leaves a combination of the turned wood and the natural wood and bark. We caught up with Pete to find out more about the man who turns unloved wood into stunning, functional pieces.....


Tell me what inspires you…..

I trawl other turners sites and also do image searches for glassware, pottery and such like, as I have found that for most things there are only a few basic designs that are then adapted. Aside from that, a lot of my rustic work is inspired by the wood itself as I turn it. I try to work with it, not just chop it up into a preconceived shape.

How did you get started?
I did a bit in school a few years ago…well a bit more than a few, then didn’t touch a lathe until I was given an attachment for a drill. It took me a couple of weeks to get fed up with the limitations and so I smiled sweetly at my better half who bought me a lathe for Christmas about four years ago.

Wedding Goblets - Sold as a pair, made to order

Whose work do you admire?

There are so many turners out there who are worthy of mention. Too many to mention them all. Some like Binh Po for his exquisite artwork, Cindy Drozda for the delicacy of her work and Nick Agar for the sculptural work he does.


Describe your typical working day….
I wake up and check my e-mails first then have a check on what commissions I have. Any I have in stock I will pack up ready for posting then it’s straight out to the workshop. I usually have several pieces on the go at once as I try and have something I ‘want’ to do as well as things I ‘have’ to do.

The pieces I like doing most are the rustic pieces.  These can take a while and don’t sell as much as my crafting items so I can play with those in-between commissions. My biggest problem is disciplining myself, as I can easily be distracted by a piece of wood with unusual markings or grain. If I am not careful and end up working on that instead of on what someone has paid me to do.

Rustic Bowl - made from unknown reclaimed wood


What is your favourite type of wood to work with and why?
Yew is probably my favourite wood for turning as its lovely to turn and you can get some fantastic colours and shapes with it. To be honest any wood that someone else would throw out is a challenge I find hard to resist.

Do you have a favourite piece that you have created?
I keep changing my mind on what is my favourite piece as the longer I have a piece the more faults I see in it. I am often really pleased with something at first then as time goes by I find fault with it.

What traditional methods do you use in your work?
Apart from the fact that I use an electric lathe, I suppose most of my methods are pretty traditional. I use  fairly few tools instead of having loads of fancy ones. I cut my wood up to a basic shape using a chain saw and axe and I sand the wood by hand. I also use traditional finishes such a beeswax and ordinary vegetable oil as my main finish. Many of the crafting tools and equipment that I make are traditionally handmade and so I research those and try to remain faithful to the originals.


Where do you source your materials from?
Garden pruning, hedgerows, storm damaged trees, old thrown out furniture, in fact anywhere. My main store for wood seems to be Freecycle at the moment. It's surprising what you can get. I do occasionally buy Beech and Sycamore if I have to for food related items, as you have to be careful -  but I can count the number of times that has happened on one hand and still have fingers left over.

Mandarin Box - Made from an old unwanted dresser

What is on your wish list?
One or two tools and a really decent workshop.

When work is done, how do you relax?
As I am fortunate enough to enjoy what I do, I rarely get wound up when working so it doesn’t really apply. I read a lot, at least 3 or 4 books a week and once in a blue moon watch something on the TV, usually gardening or self sufficiency type programmes. I have been told that if I was any more laid back I’d fall over.

To see Pete’s range of products visit:-

Bodrighy's website 

Bodrighy's Etsy Shop

Bodrighy's Folksy Shop

Wednesday, July 21, 2010

MEET: Hannah Marshall of Beach Shack Project

Hannah Marshall is the lady behind Beach Shack Project, a fascinating and ecologically sensitive company, designing and creating beautiful jewellery from beach-combed materials.

Her work is based around an idea of taking seemingly unattractive, or unpleasant, found items and changing them into lovely, desirable objects.  She is an addicted beach-comber and sources most of her materials this way.

"Although my work is heavily focused on using found objects, often detrimental to the coastal eco-system, my work didn't begin as a recycling project.  I use the beach as a platform for gathering new ideas and materials, and then the pieces design themselves in my head.  I never see what I find as rubbish, but just an unfinished part of something else."

"Neon Armband Bling " - reclaimed nylon cuff

Hannah supportes Surfers Against Sewage, set up by a group of surfers who wanted to use clean safe oceans. One of their campaigns involves “marine litter”, a huge problem on a lot of beaches all around the world. Huge matted balls of fishing nylon are now commonplace on beaches, usually having been lost or discarded by fishermen. These balls are not only non-biodegradable, but pose a threat to any wildlife unlucky to get caught up in it.

"I collect these tangled balls of nylon and laboriously go about unraveling, un-knotting and even re-knotting the nylon until I am left with workable strands. These are then washed thoroughly in antibacterial soap so they are squeaky-clean."

15% of sale from these items is donated to the campaign.

'Orange Knot Bangle' - reclaimed nylon

'Turks Head Knot' - Reclaimed Nylon Necklace

Hannah also incorporates seaglass and pottery in her work.  Looking into the origins of the glass and pottery pieces you find a fascinating history of the beach-combed areas.

" Seaglass is classed in colours but the rarity can vary in an area.  Emerald, bottle green, brown, white and aqua are all common colours found whilst beachcomiging  This is because these are the common colours used in the bottling industry today.  Anything that isn't one of these common colours is considered harder to find, for every 100 pieces only one will turn out to be colbalt, or naby, the cobalt usually being descended from an old medicine bottle used in teh Victoria era.  Lime, turquoise, yellow, pink, purple and red (from car lights, buoys and lanterns) are very rare, with orange thoughtto be the most uncommon colour.




"I have found many unusual pieces of flashed fuchsia glass, which I have only seen turn up in Scotland.  Many variations of glass can be found too, carnival glass, with an iridescent sheen, popular from 1900s onwayrs and slag glass, an opaque marbled galss which was very popular around the 1880s."



Sea Pottery is another interesting element to Hannah's work.  Many pieces wash up in river estuaries and harbours, such as the presence of Victorian tea ware found in Sussex rivers.  Where harbours stood, or still stand, tableware cargoes became lost over-board, or thrown as waste into the waters.  Tossed and tumbled over time these pieces now lie on the muds and sands at low water.


'Pastel Carnival Necklace' - Sea Pottery and Fishermans' Rope Necklace


Hannah's work can be seen on her beautiful website Beach Shack Project which is also full of interesting information about beach-combing and the materials she uses and more about Surfers Against Sewage.
She is also offering 30% off her jewellery to UK Handmade readers until 15th August.  Now that is an offer you can't refuse!  Just add the code UKHM2010 at the checkout.

Tuesday, July 13, 2010

MEET: Creature Round Robin Project Participants

The Creature Round Robin Project is a fantastic project devised and hosted by jewellery designer/maker Olly of Wollies with 3 other designer/makers (members of the UK Handmade forum) taking part as guests: Shaz of Oddsox, Kathleen of Murgatroyd and Bean and Julia of Hand Knitted Things. The rules that the participants had to follow were:

1. Describe a creature – post to next person
2. Draw a picture of the description you receive – post on
3. Make the creature from the description and picture you receive – post on
4. Add the features to the creature you recieve – post on
5. This is where you get back the creature you originally described and have a chance to add any final details before posting back to the host…

UK Handmade caught up with the Creature Round Robin Participants to find out all about it!

What made you suggest this Round Robin idea?

OLLY (Wollies) : I knew that there would be many makers of creatures on UK Handmade, so I thought I'd get one going. I wanted to suggest a project that would involve clear cut stages, starting from the very beginning when the creature is imagined. I thought it would be interesting to start with a written description and see how each creature would evolve from writing, to drawing, to pattern, to 3D creature. I really wanted the project to evolve like an exchange of ideas, a discussion. That way, rather than having each person making an isolated contribution, each participant would respond to a previous idea and interpret it in their own way.

 
Tree Urchin (Olly)


What attracted you to this Round Robin idea?

OLLY (Wollies): I loved receiving all of the descriptions and sending them off, it was really exciting. I had a peek at all of them and I loved the way each one was really individual, both in the ideas and the way the descriptions were written. Some were quite precise, others more like a story. Overall, people put so much care and time into what they sent around, it was great.

SHAZ (OddSox): My crafting centres around creature making so when I saw that Olly had started the idea I was very keen to be involved. I’m a follower of her blogsite where she shows lots of interesting work from other artists and regularly shares her latest drawings and creations. When I found out that Julia and Kathleen were also going to be taking part, after investigating their work I just knew we were going to end up with some great creatures!

JULIA (Hand Knitted Things): A spur of the moment decision. I’d just completed a design for my first toy pattern and thought it would be good to get involved in a project with other designers of similar products.

KATHLEEN (Murgatroyd and Bean): Olly introduced me to the idea for this project and suggested that I join UK Handmade so that I could take part. I hadn’t heard of the website before and was intrigued by the online creative community it was offering. I was drawn by the idea of working with other makers whom I ‘d not met before and leaping into the unknown - would I be up to the challenge?

 Inky (Shaz)

 Which bit did you enjoy most?

OLLY (Wollies): I have just loved working with others on a communal project. It is very satisfying to know that your hand has contributed to making someone else's creature! Also, I think that crafting is a very solitary activity, so doing swaps is nice because it establishes a communication with other makers.

SHAZ (OddSox): Olly planned our Round Robin brilliantly – she sent us a handmade printed instruction booklet carefully explaining all the stages. To be honest I was a bit scared of Stage 2 as this involved drawing another persons’ creature description. Drawing isn’t my strong point and I don’t usually do this stage when I’m making my own creatures. As it turned out, I really enjoyed this bit - plus it was a lovely sunny weekend so I sat out in the garden to do it!

JULIA (Hand Knitted Things): Choosing the fabric, cutting out the pattern and starting to construct/sew the creature.

KATHLEEN (Murgatroyd and Bean): I think one of the most exciting aspects of this was the anticipation of what the next parcel would bring! As soon as I’d torn open the parcel I’d be itching to get started on adding my bit. I particularly enjoyed translating Olly’s detailed sketch into a 3d creature - this was also the bit I’d been most concerned about meeting the challenge! I had to really think about how I’d construct suitable legs, shape of head and arms on a small, delicate creature. I experimented with several small scale templates before cutting out any fabric. The quick turnaround of roughly a week for each stage of the project was great for keeping up momentum too.

 The Dak-Dum-Neha (Kathleen)


What have you gained/experienced from this project?

OLLY (Wollies): Absolutely! It was a pleasure working with all of these lovely crafters. Maybe we could get some new recruits and do an even bigger one next time :-)

SHAZ (OddSox): This project has encouraged me to pick up a pen and sketch book a bit more often and I’m enjoying it! It also made me think about how to turn a flat drawing into a three dimensional creature using fabric rather than socks. After seeing my original description evolve into a beautiful drawing and then turn into the gorgeous ‘Inky’ it’s shown me an alternative way of working.

JULIA (Hand Knitted Things): Working with the other contributors has been a great experience. Seeing how others interpret descriptions and designs has been the best part and very inspirational.

KATHLEEN (Murgatroyd and Bean): It was great fun working with Julia, Shaz and Olly and I’d love to do it again some time. The experience has made me think more closely about how I go about translating designs into three dimensional objects. I think that you can sometimes get a bit safe and complacent in your own designs and it’s good to be challenged and made to think about your creative processes. It was a fun and thought provoking exercise.

 Owl (Julia)


Would you do it again and would you be brave enough to host one?

SHAZ (OddSox): Definitely! Olly’s template is a perfect one to adapt to other ideas too. I’d consider hosting one in the future but I’d have to clear the decks of other projects first though!

JULIA (Hand Knitted Things): Yes, definitely I’d take part again! If I hosted a RR I’d want to organize it in a similar way to this one.

KATHLEEN (Murgatroyd and Bean): Yes, I’d definitely take part in something similar again and would encourage others to give it a go. Olly did a smashing job pulling it together and I’d agree with Julia & Shaz that she has given us a great template to follow on future Round Robins, so yes, maybe I would be brave enough to host one of my own soon time soon.

For more information about the participants check out their websites and blogs:

Host: Olly (a.k.a. Wollies)

http://the-wollies-blog.blogspot.com/
http://www.folksy.com/shops/WOLLIES

Guests:
Shaz (a.k.a. OddSox)
http://www.oddsox.folksy.com
http://thesockgarden.wordpress.com/


Kathleen (a.k.a. Murgatroyd)
http://murgatroydhoots.blogspot.com/
http://www.folksy.com/shops/MurgatroydandBean

Julia (a.k.a. Hand Knitted Things)
http://handknittedthings.blogspot.com/
http://www.folksy.com/shops/handknittedthings

Wednesday, July 7, 2010

MEET: UK Handmade Writing Competition Winner - Victoria Baker of Little Wren Pottery

Victoria Baker of Little Wren Pottery is joint winner of our recent Writing Competition, alongside Fiona Stolze. Little Wren Pottery specialises in contemporary English dinnerware for your table. All the pieces are handcrafted in Sunderland, England in stoneware clay. Victoria Baker, the potter behind Little Wren Pottery loves creating rustic ceramics for the modern home......we caught up with Victoria to find out more!



What inspires you?
Nature inspires me, I like to use natural earthy colours in my pottery - browns, reds and greens. I tend to think stoneware pottery has that rustic feeling to it and colour choices help to emphasise this. When I'm not potting, I tend to spend a lot of time out in the garden tending to my vegetables, I love listening to birdsong and sometimes animals make their way onto my pots. I also really enjoy visiting museums to look at the ancient pottery.  Often these old styles are more elegant and graceful than modern home wares.


How did you get started?
My Dad has been a potter for a number of years and he encouraged me to take a night class. He'd never taught anyone before and he thought I'd better get instruction from someone else. Attending the class I actually found quite quickly I was able to produce sell-able pieces. I now produce all my pieces in my home studio, of course my Dad is always teaching me new things. I also know a few potters in my local area and if there's something my Dad and I don't know, we ask them for help too.


Whose work do you admire?
I really admire the work of Japanese potters. I love how their work directly reflects the natural world through colour and texture. I also really like simple shapes that have been beautifully thrown, sometimes you just don't need a fancy glaze or slip design when your pieces look perfectly balanced. Probably the best examples of this can be found in Finnish pottery. I also get inspired by other potters I know, particularly my Dad and his former pottery teacher who we still visit.


Describe your typical working day......
Since I still work full time I never really have a typical day. When I get home from work I concentrate on packing orders, keeping the studio tidy or designing new pieces. I do most of my throwing on a Saturday morning.  hrough trial and error I have found this is my most productive time. I can throw up to half a bag of clay in one morning between 8 and 10 am. On Sunday's I'll turn all the pots I made, they need a day to dry out and become leather hard, before they can be turned. 


What is your favourite piece you have made, and why?
My favourite piece so far has been my pottery creamers. They are a nice weight when you pick them up and just a pleasing shape. Sometimes you get to the bisque stage of having fired a piece and for some reason the glaze you choose doesn't quite work. This time though I was really pleased with how it turned out, especially how it has "run" on the body of the pot, providing a bit of colour variation.

What is your favourite process?
I enjoy throwing most of all. I find it really satisfying seeing clay go from unshaped lumps to thrown and finally turned. Usually when I throw, I have a specific object in mind but sometimes the clay does its own thing and it's really nice to have a surprise!


What do you see for Little Wren Pottery in the next 12 months?
I'd really like to go part time in my job so I have more time to develop The Little Wren Pottery range. At the moment, there aren't enough hours in the day! 

Your Dad is a potter too, do you work on pieces together, and if so, does this make the piece that bit more special?
Sometimes we work together on things, I have smaller more delicate hands than he does - so if he requires something to finish off a piece, a spout or a lid, he'll ask me to do it. I enjoy working with my Dad, there isn't much else we both enjoy together so having some time with him is great. Sometimes we do throwing relays where we interchange throwing pots on the wheel. My Dad's pieces are usually much larger and bolder (more manly!) than mine. Sometimes he teaches me things and he continually provides feedback on how I can produce better work. I still haven't quite mastered lips for jars and teapots!


What is on your Wish List?
Having a better studio area that is away from the house. At the moment the attic is continually getting quite messy, sometimes this filters its way down the stairs - so having another space with running water would be ideal.

When work is done, how do you relax?
I get in the kitchen and rustle up something nice, usually sweet! I look after my plants in the garden, maybe do a bit of knitting. When there is time, I love to watch old black and white films of all different genres and of course.....Doctor Who.

To see Victoria's range of products visit:-
Little Wren Pottery
Little Wrens Etsy Shop
Little Wren Pottery at Folksy
Little Wren Pottery Dawanda Shop

Tuesday, July 6, 2010

MEET: UK Handmade Writing Competition Winner - Fiona Stolze of Silk & Art

Fiona Stolze is joint winner of our recent Writing Competition, alongside Victoria Baker.  Based in Bristol, Fiona is designer and creator of Silk and Art.  Fiona creates stunning handcrafted silk products including cushions, art, silk wall hangings, scarves and greeting cards, in original and beautiful Mandala style. We caught up with Fiona to find out more about her and her work.





What inspires you?
I feel inspired by a great many things, life in all its splendour.  But I have a great love for all things Indian.....the amazing vibrant colours, the fabrics, the spices, the music.  And I love the movement and colours together and have always had a great affinity with the Impressionists. I also take huge inspiration from the inner world accessed by meditation and becoming still and play beautiful spiritual music whilst I am painting in my studio.  You can see lots of evidence of this in my mandalas. I love beautiful things and find my inspiration and enthusiasm growing as I always get inspired by other people living and expressing their passion. 


How did you get started?
I've always been a very arty, creative person but never had any formal education in the arts. I used to draw, paint and generally try out anything interesting that crossed my path. I always loved buying a book and teaching myself how to do something. My background is in teaching and then I moved on to become a foreign language secretary, a freelance translator and then after my first two children were born, I trained in alternative therapies and got involved in my spiritual practices of healing and meditation - both of which have stayed with me. 

It wasn't until 1999 that I created my first mandala, which was a far cry from the work I do now. I went on to paint one or two more, then something odd happened. We were going to sell or house and a woman that accompanied her son spotted my artwork, fell in love with it and bought one of my mandalas on the spot.  Just the piece of silk, no mount or frame. She told me that others would love to see what I did and that I should consider doing it for a living. Nearly 11 years have passed since that day and I have certainly sold a lot of artwork in the meantime. We left Germany and moved to Glastonbury where I began to sell lots of small pieces of work, including window pictures, cards, bookmarks and scarves. But all the time, I steadily continued to create mandalas, building up a collection. 

I invested in a professional steamer and the French dyes which are so beautifully translucent and give the finished piece a gorgeous sheen and softness. I visited fairs and often left without selling anything, as I was clearly in the wrong venue. There were opportunities to sell my original paintings through shops and commissions came my way too. But the big change was when I took the decision to expand my website, started blogging and really got out there. Interestingly, my written work attracts a lot of attention to my artwork.


Whose work do you admire?
The sand mandalas of the Tibetan monks. They get rigorous training in this art and create these mandalas using coloured sand. When the mandala is complete, it is taken to the nearest water and cast in, symbolic of the transience of life. They are never allowed to claim ownership of the work they create. I love the work of Monet.  His beautiful waterlilies......mostly painted when his eyesight was failing.


Describe your typical working day......
Ideally I like to waken and start the day with my gratitude exercise. I sit quietly with my hands on my heart and list all the things I am grateful for in my life. Feeling the gratitude for what I already have attracts more into my life and creates abundance. I then move into a meditation which can sometimes last up to an hour. This is the ultimate healer if followed with dedication and intent. My work.....well, I'm really lucky that I have an attic studio with lots of light. My table is in the window and I have a good view from the second floor out over the treetops with a wide expanse of sky. In our last home in Ireland, I had a huge studio with a panoramic view of the Irish sea......idyllic.

I like to set everything up to create a very relaxing and creative ambience. I choose meditation music which I play to set me into a real right-brain space, where I can totally surrender to the process. I often light a candle and burn incense too and I will clear everything away from the table so I can almost walk around my mandala.  I love to be able to approach it from every angle. I typically work in short bursts at the bigger pieces and then step back and contemplate. I love to sit and watch and wait and feel the paintings. When I'm doing other pieces such as scarves or hangings, I have the end picture in my mind's eye and I can sometimes move forward at an intense pace, excited to see the completed item.

I intersperse my painting work with lots of work at the computer as I now have a Silk and Art Facebook page, my busy Wordpress blog, an Etsy and a Folksy shop, a page on Redbubble, participation on different online forums (particularly the Ning Silk Painting Gallery Network) and of course, my website which we are now in the process of streamlining and making easier to work with. Now, that may sound like a lot, and it is but you don't have to get me out of bed in the morning to make me do it and that's the key. Do the things you love doing and watch your self esteem grow.


Tell me more about the unique style of mandala......
Mandala is from the ancient Sanskrit language and means "mystical circle". These designs are in evidence all over the planet and examples of them can be found in many religions, including Buddhism, Christianity (rose windows) and Hinduism to name a few. With the exception of the Tibetan mandalas which have to follow a specific pattern and number system, a mandala generally has a central point (bindu), a series of concentric circles with patterns which can be geometric with specific significance, or more abstract, and an outer periphery. 

The image represents our life path, the journey we take through the experiences we create, starting at the central point and moving outward until we reach the outer edge. We are then able to return to the centre and start all over again on a new level, using the insights we gained the first time round. Mandalas have been scientifically proven to calm the mind and are often used by therapists. Creating a personal mandala can open doors to great depths and wisdom. Each one has its own story and inspiration and I never "think" them out beforehand, as they like to do that themselves. I mark the centre of my piece of silk and then use a fabric maker taped to a pair of compasses to randomly draw a few concentric circles. Then, off I go, drawing the mandala pattern, ring by ring with gold gutta.



The artwork you produce is so bright and vibrant, what influences your designs?
I often have a sensation of life bursting out when I create the mandalas. You will see many leaf and plant motifs, blossoms, sunshine, roots going deep into the earth, vines reaching up to the sky, tendrils growing out of things. I think it is the inbuilt desire to expand and grow and become all that I can be. I just love strong colour.....strong purples, vibrant fuchsia, burning orange and, of course, I also incorporate spiritual symbols in my work. There are yingyangs, Celtic knots, OM's, astrology and labyrinths.


Do you have any new products on the horizon?
Yes, I always have many things on the go at once but I would love to create beautiful one-off pieces of clothing with mandala art on some of them. I am working on accessories too, including little bespoke clutch bags made with hand painted fabric.

I offer panels of silk with my mandalas on them. A company prints these for me on the same fabric I paint my originals on. I stretch them and apply the gold gutta pattern so that they are very close to the originals. I recently received photographs from a woman in Georgia who asked me to provide her with 24 of these panels for a specially created ceiling for her bedroom.  The final piece is amazing. I would love my work to be incorporated into many more wonderful projects like this and am looking into ways to promote the idea.



One big project I come back to again and again is creating a DVD with my artwork animated to music and
of course, the writing. I am planning to have my own book out in print in the next few years and hopefully smaller e-books on offer within the next few months. I am currently working on small tutorials. 

Where do you see Silk and Art in the next 12 months?
Definitely much more out in the public, with more recognition. I want to continue working with video both to publicise my products but also offer tutorials and self help books to those who live further afield.  I would love to establish my brand but also get my name known more too so I can do more things parallel to Silk and Art.


When work is done, how do you relax?
That makes me smile.  ou'll often find me relaxing by sitting at the computer until late at night, putting the last minute finishes to my blog. Other times I will get completely lost in a book. How do I really, really relax? Well, I just love to have a really hot bath and just soak for ages right up to my chin and just chill.....well simmer. Meditation is something else which induces deep feelings of relaxation for me, a great way to start the day or wind the day up. Another thing I love with a passion is going for very long walks. There are lovely woodland walks which I can do easily from here along the River Frome. It's great for clearing my head and allowing myself to find the solutions I seek. I adored going for beach walks when we lived in Ireland, walking as far out as the tide would allow, stepping onto virgin sand. Feeling the tide lapping against my feet and the breeze in my face.  Water has something magical about it.  One day I'll have my healing centre beside the water.......


To see Fiona's range of products and get your own piece of Mandala art visit:-
Silk and Art
Silk and Art Blog
Silk and Art Etsy Shop

We will have an interview with Victoria Baker of Little Wren Pottery later today! Watch this space.